Singer-songwriter Rebecca Pronsky knows her way around metaphor and
story
July 11, 2010 - Mike Shanley
A singer who "tells a story" sounds like a cliché used
by publicists -- or bad singing storytellers -- until a songwriter comes
along who strings together a tale worth hearing. Rebecca Pronsky knows
her way around a metaphor, and though residing in Brooklyn, she sings
like she has Nashville in her blood.
"Oscar Song," from Pronsky's 2007 CD Departures and Arrivals,
is a good example of her style. Over a bossa nova shuffle, she sings
of a failed relationship, casting her and her ex-mate as doomed actors
-- she being the one deserving of the award mentioned in the title.
The scenario has been used in lyrics before, but Pronsky's original
spin on the concept, coupled with her gift for melody, create a memorable
song that would add a modern kick to the songbook of a jazz torch singer
like Diana Krall or Jane Monheit (although Pronsky's take would still
sound better).
Departures and Arrivals contains many of these lyrical flights, and
seems divided between moody twang in the first half and slightly more
contemporary singer-songwriter fare in the second half. She can easily
remind listeners of Neko Case, both in terms of her ability to belt
the lyrics and the way she stands out above the sea of thoughtful women
with guitars. "Break Even," the album's midway point, has
a sprightly melody that overflows with syllables, much like other women
on Triple A playlists. Meanwhile, she follows that with "Say It
Now," recalling Suzanne Vega's finest moments of understated hooks
and stories.
Last year, Pronsky returned with The Best Game in Town, an EP full of
twangy guitars echoing from far off on the lonesome highway. The songs
follow a tension-and-release set-up much like traditional country music,
but her writing and that voice keep them from sounding standard. Rich
Bennett, her producer and collaborator, uses his lead-guitar parts to
color in the scenes around Pronsky, who plays acoustic guitar throughout.
Harmony vocals from Lucy Wainwright Roche (whose name alone connects
her to two distinguished families of singers) add to the emotional content
of songs like "Big Kid" and "Hard Times."
Pronsky seems the type of singer whose pipes can cut through the background
noise at the bar and lure listeners to the stage, where her lyrics sustain
interest for a whole set. Find out for yourself Thu., July 8, at Howlers
Coyote Café, in Bloomfield.
Rebecca Pronsky with Emily Rodgers and Pete Bush & the Hoi Polloi.
8 p.m. Thu., July 8. Howlers Coyote Café, 4509 Liberty Ave.,
Bloomfield. 412-682 0320 or www.howlerscoyotecafe.com
